Tag Archive: Geneva


Last photo of the Empress (left) at Territet, the day before her assassination.

A third message from Geneva to Emperor Franz-Josef of Austria gives the precision that Empress Elisabeth (Sissi) had been assassinated.  It is almost a relief, Franz-Josef had feared suicide.  This text asks if the doctors can proceed with an autopsy.  The Emperor, numb with pain, answers that whatever is prescribed by Swiss Law should be done, adding as an afterthought:

“The children must be told.”

The autopsy, practised the next day, reveals that the weapon – it is not yet known what it was exactly – had penetrated eighty-five millimetres, breaking a rib, traversing the left lung and the left ventricle.  However, the wound is very slim and the haemorrhage had been retarded.  The blood had dripped drop by drop into the pericardium.  Sissi’s astonishing energy had allowed her to walk the hundred feet between the place of her aggression and the boat’s boarding ramp.

***

In Vienna, the news spreads from six o’clock at night.  The crowd gathers in groups, firstly incredulous, then angry.  The words are repeated with horror:

“Assassinated!  Our Empress has been assassinated!  By an Italian!”

Incidents erupt inside the cafes frequented by Italians.  Some Austrians explode with indignation.

“The Italians take our bread from us and assassinate our Empress!”

Fights, patriotic songs, tears:  the Police has to restore order.

***

He is twenty-five.  He is called Luigi Lucheni.  Born in Paris of an Italian mother, he has never known his father.  Mason, labourer, he had been chambervalet to a prince.  He is Elisabeth’s assassin.  At the beginning of the afternoon, he is interrogated by Judge Lechet, who does not yet know that Sissi is dead.  The answers are proud, cynical.  He says that he had been looking to kill the Duke of Orleans who was staying in Geneva.  But the Pretender to France’s throne had left for the Valais.

“I had sworn to kill any high-ranking person.  Prince, King or President of the Republic, they are all the same!”

His weapon had been found by a concierge of the Rue des Alpes.  The assassin had thrown it away while he was running.  He had made it himself, inserting a ten-centimetre, very slim lime into a wooden handle.

When Judge Lechet is informed, by telephone, of Sissi’s decease, he says to Lucheni:

“The Empress of Austria has just succumbed from her wound.”

A light shines in the assassin’s green eyes:

“Long live anarchy!”

Despite the presence of many political refugees in Switzerland, despite terrorist attacks – such as the one which, in France, cost the life of President Sadi Carnot – it will never be possible to establish that Lucheni was taking part in a plot.  He most likely acted alone.  He is as proud of that as of the crime itself.

***

A polemic erupts over the Empress’ absence of protection.  For the Swiss Police, her presence was well-known.  A telegramme dated 29 August, addressed by the Federal Department of Justice and the Police, at Berne, to the competent services at Lausanne, ends like this:

“Pray take all measures considered necessary against possible problems.”

Police Chief Virieux of the Canton of Vaud, had organized the Empress’ protection, but she, as usual, had judged this surveillance to be disagreeable.  On Friday 9 September, the day before the assassination, Chief Virieux withdrew his officers…  Sissi had also sent away her suite.  It is very possible that an entourage larger than one lady-in-waiting would have dissuaded the assassin from acting openly.

A polemic, more discrete and briefer, poses the question of the treatment given to the Empress.  Today, an operation to repair the heart could be done, but in 1898 this was not possible.

Elisabeth’s body was placed in a triple coffin;  two in lead, the third, exterior one in bronze, reposing on lion claws.  Geneva’s great bell, the Clemence, tolls.  The city is dead too, the shops are closed, not a boat moves on the lake.

Tuesday morning, a special Austrian train brings the Emperor’s official representatives.  Before the sealing of the coffin, they can assure themselves of the body’s identity through two glazed openings which allow the face to be seen.

Wednesday morning, at half-past eight, the body is moved.  From Hotel Beau-Rivage to Cornavin Station, the coffin is drawn by four caparisonned horses.  Over the fifteen-minute route, the crowd, immense, silent, uncovers its heads.  The Clemence tolls unanimous mourning.  At the station, the Federal Council and the State Council render a last homage to the Empress.  At nine o’clock, in great silence, troubled only by the noise of steam, the funeral train leaves for Vienna.  Sissi is going on a last voyage.

The Austro-Hungarian Empire is in deep mourning.  At Budapest, the sadness is particularly felt.  Franz-Josef says:

“Yes, they can cry.  They don’t know what a friend they have lost in their Queen.”

Telegrammes from around the world pile up in the Chancellory, those of Queen Victoria, of the French President Felix Faure, who had declared:

“The Empress is sublime.  You’d think that she was French!”;

those of Emperor Wilhelm II, of the American President McKinley, of Tsar Nicolas II, of the Pope, who judges the assassination “contemptible”.  Eighty-two sovereigns and high-ranking people follow the cortege which, on the morning of Saturday 16 September, takes Elisabeth to the tomb of the Capucins.

Alive, she fled protocol.  Dead, she cannot escape it.  The little crypt door is closed.  The First Chamberlain knocks.  A voice rises from the tomb:

“Who is there?”

“Empress and Queen Elisabeth asks to enter.”

A regrettable polemic mounts concerning the inscription on the coffin.  It is written:  “Elisabeth, Empress of Austria”.  The Hungarians protest.  She was their Queen;  hastily, the words:  “and Queen of Hungary” are added.

The protocol, in vigour since the XVIIth Century, is respected:  if the body of the sixteenth empress of the Habsburg dynasty reposes in the crypt of the Capucins, her heart is conserved at the Church of the Augustins, where she was married, and her internal organs are placed in the crypt of the Saint-Etienne Cathedral.

***

Very proud of himself – particularly very proud to be in the newspapers – Lucheni manifests no regret and hopes to be condemned to death.  He thinks that he is a hero, he wants to be a martyr too.  When he is asked why he had killed Elisabeth, who had never done anything to him, his only answer is:

“It is a fight against the greats and the rich.  A Lucheni kills an Empress, never a washerwoman.”

To be continued.

Last photo of the Empress (left) at Territet, the day before her assassination.

Empress Elisabeth (Sissi)’s aggressor, who has fled by Rue des Alpes, is caught and held by an electrician, Mr Louis Chammartin, who was coming from the opposite direction, then by a gendarme.  The gendarme takes him back to Beau-Rivage Hotel.  He is interrogated.  Mme Fanny Louise Mayer, the Hotel Manager, recounts:

“My husband, at the height of exasperation, gave him a violent blow to the mouth.  A young Austrian Baron, who was at the hotel, also wanted to attack him.  The gendarme prevented him.”

The gendarme has the man transferred to Paquis Police Station.  The unknown man refuses to answer questions.  He has a cynical, wild air about him.

Meanwhile, Elisabeth is arriving at the boat’s boarding ramp.  Her lady-in-waiting, Countess Irma Sztaray, ceases to hold her for a few seconds.  Elisabeth has barely arrived on board than she turns and says:

“Now, give me your arm.  Quickly!”

The Countess seizes her, assisted by a lackey, but the Empress collapses gently, her head resting on her lady-in-waiting’s breast.  Sissi has lost consciousness.  The Countess calls for water, which is sprinkled on a face that is becoming paler and paler.  Then, she calls for a doctor.

There isn’t one, but a female passenger, a former nurse, hurries over.  The boat’s captain, Captain Roux, arrives.  He has heard that a woman has been taken ill.  He does not know her identity and advises Countess Sztaray to disembark the sick person and take her back to her hotel.

“She has fainted from fear.”

Heavy heat reigns on deck.  Captain Roux proposes a cabin.  No, she needs air.  Three gentlemen carry Elisabeth onto the top deck and lay her on a bench.

The lady-in-waiting opens the black gown, cuts the corset which is hindering breathing and slips a sugar-lump imbibed with alcohol between Sissi’s lips.

Sissi instinctively eats the sugar.  She opens her eyes and tries to rise.

“IsYour Majesty feeling better?”

“Yes, thank you.”

She manages to sit up.

“But what has happened?”

“Your Majesty fainted.  But she is feeling better now, isn’t she?”

No answer.  Elisabeth has lost consciousness again.

Hastily, the Countess finishes unlacing Sissi and notices a brown stain, the size of a silver florin, on the mauve batiste undershirt.  Beneath the left breast, she discovers a triangular wound and a drop of dried blood.  A clot…  The Countess cries out to the nurse:

“Good God!  She has been assassinated!…”

The Captain is called.

“For Heaven’s sake, I beg you!  Go back to the quay, quickly!  This lady is the Empress of Austria.  She has a chest-wound.  I cannot let her die without a doctor and a priest.”

Immediately, the Captain gives the order to head for Geneva.  As there is no stretcher on board, they improvise one with sailcloth, cushions and two oars.  Elisabeth moans, her face covered in perspiration.  The Countess, desperate, is at her feet.  Six sailors carry the stretcher to the hotel.  Covered with her coat, Elisabeth, still unconscious, rolls her head from side to side.  A desperate combat, an ultimate fight…

The hotel Concierge holds Sissi’s hand “so that it doesn’t hang down miserably”.  A gentleman protects her head with the sunshade.

“Panic was at its height.  Sadness and consternation could be read on all faces.”

Laid on her bed, Elisabeth is still moaning.  It is ten-past-two.  A doctor, Dr Golay, tries to sound the wound.  The lady-in-waiting asks:

“Is there hope?”

The doctor sadly replies:

“None, Madame.”

“Try anyway!  Try to bring her back to life!”

Mme Mayer and an English nurse help to undress Elisabeth and take off her shoes.  A priest arrives.  He gives her absolution.  All the women are on their knees in prayer.  A second doctor, Dr Mayor, incises the artery of the left arm, but there is not a drop of blood.  It is twenty-to-three.  The Empress of Austria and Queen of Hungary has just died without regaining consciousness.  She was sixty-one-years-old.  Her cheeks are slightly coloured and her lips have a last smile on them, that smile which had moved millions of men and women.  Mme Mayer writes:

“Countess Sztaray closed her eyes and joined her hands.  I stayed with Countess Sztaray until the arrival of the suite which came around six o’clock.  The Empress was embalmed and put in a coffin.  In the evening, the Countess had me called as well as my husband, and gave me a rose that she took from the coffin and which I keep preciously, as well as a little piece of mauve ribbon stained with blood.  Today, the blood has disappeared.  The drama took place fifty years ago, but the memory of it has remained as if it had happened yesterday.”

***

Elisabeth and Franz-Josef at Cap Martin in 1894.

At Schonbrunn, Emperor Franz-Josef rises at four o’clock in the morning, as usual:  the Emperor, a disciplined soldier of sixty-eight, leaps from his bed, bids good morning to his chambervalet and enquires about the weather while the man in charge of his bath brings his vulcanised bathtub.  Washed, rinced, dried, Franz-Josef dresses in his daily uniform – blue tunic, black trousers – and his doctor makes his routine visit.  From breakfast to luncheon, served at his desk, the Emperor prepares the manoeuvres which he is to preside in Slovakia.  At the beginning of the afternoon, he writes to Sissi:

“My sweet, loved soul”.

He tells her that the day before he had enjoyed a delicious glass of good milk from her dairy and that he is leaving, this evening, for the manoeuvres.  His last words are:

“I entrust you to God, my Dear Angel and I embrace you with all my heart.

Your little one.”

***

At half-past-four in the afternoon, Count Paar, the Emperor’s aide-de-camp, arrives at the Hofburg.  He is very pale and asks to be received urgently.  He is holding a message from Geneva.  The text is brief:

“Her Majesty the Empress seriously wounded.  Please announce to the Emperor with care.”

Franz-Josef, absorbed in his dossiers, raises his head, surprised that Count Paar, usually impassible, appears so emotional.

“What’s the matter, my dear Paar?”

“Your Majesty…  I have just received some very bad news, alas!…”

Franz-Josef rises in one bound and cries out:

“From Geneva?”

He snatches the telegramme and backs away, stumbling.

“Well!  More news should arrive…  Telephone, telegraph, we must absolutely know more.”

In the corridor, steps are approaching.  The aide-de-camp on duty presents himself, at attention, holding a second message.  Franz-Josef rushes over and tears it open.  He reads:

“Her Majesty the Empress has just died.”

Frozen in horror, the Emperor remains motionless, then collapses into his armchair.  His head in his hands, he cries.  In a neutral voice, between two sobs, he says:

“Nothing has been spared me on this Earth…”

To be continued.

Last photo of the Empress (left) at Territet, the day before her assassination.

After luncheon at the home of Baroness Julie de Rothschild and a long visit – more than three hours – through the aviaries of strange birds, the aquariums of exotic fish and the flowers of rare perfumes, Empress Elisabeth (Sissi) returns to the Beau-Rivage Hotel, Quai Mont-Blanc, in Geneva.  She had refused to return to Territet with the Baroness de Rothschild’s yacht.  She decides to return only the following day, by an ordinary boat, a steamer of the Compagnie generale de navigation, in exactly the same way that she had come.

Of the two women, it is the lady-in-waiting, Countess Irma Sztaray, who is the most tired.  They sit down for a moment in front of Prince of Brunswick Garden.  The Empress is holding a peach in her hand.  Just when she is about to bite into it, a crow knocks the fruit from her hand with its wing.  Sissi rises, very grave, and says:

“A crow is not a good sign.  It always indicates misfortune in our House.”

Having arrived at the Beau-Rivage Hotel, the Empress goes up to her apartments.  In contradiction with what has often been said, her incognito is not absolute.  In fact, in the hotel’s Guest Register, the receptionist had written:

Her Majesty Empress Elisabeth of Austria.

Countess Sztaray, Lady-in-Waiting to H. M. the Empress.

Dr Eugene Kromar, Private Secretary to Her Majesty.

General Bercivczi, Chamberlain to Her Majesty.

Countess Harrach, Lady of the Court.

Countess Festetics, Lady of the Court.

Prince of Auersperg, Grand Chamberlain at the Court.

H. E. Count Bellegarde

Mlle de Meissel, chambermaid to H. M.

Mlle de Hennike, chambermaid to H. M.

Count of Kuefstein, Minister of Austria-Hungary in Berne.

Mr Mader, Master of the Imperial Train.

An amusing detail:  the high-ranking people staying at the Beau-Rivage Hotel and their suite are given very careful writing, in thick, upright characters.  The “ordinary” guests are mentioned, on the same page, in a less elegant, italic writing.  The first “ordinary” guest, expected on 11 September, is the actress Madame Sarah Bernhardt.

After having rested for an hour, Sissi leaves again, at half-past-six, with her lady-in-waiting, to visit a few pastry shops.  Quai du Rhone, she buys a table for her daughter Maria-Valeria.  At a quarter-to-ten, they have returned.  The night is superb and Sissi, who likes to sleep with the window open, is disturbed by the noise from the street and the melodies of an Italian singer.  Further, the intermittent ray from a lighthouse inundates the room with light.  She refuses to close the curtains, and goes to sleep only at two o’clock in the morning.  The Empress usually rises at seven o’clock, but her night had been so short that she is not heard until nine o’clock.  Madame Fanny Louise Mayer, the Hotel Manager, has left a detailed narration of Saturday 10 September 1898:

“For her breakfast, the Empress had asked for a selection of little breads, of all flavours and all forms, which were served to her on a big silver tray.”

At nine o’clock, Sissi says to her lady-in-waiting:

“At eleven o’clock, I want to go into town to listen to a new orchestrina and, at twenty-to-two, as planned, we shall take the boat to Caux.”

At eleven o’clock precisely – Sissi is as punctual as her husband – the two women leave the hotel and go towards the Baecker Music Shop, Rue Bonnivard.  The Empress has always loved music boxes and Barbary organs.  A machine with a handle plays popular airs on a roll:  Carmen, Rigoletto, Lucia di Lammermoor, La Grande Duchesse de Gerolstein, Lohengrin and Tannhauser, one of the Empress’ favourite works.  Elisabeth buys the machine and eighty rolls.

“This will give pleasure to the Emperor and the children.”

She signs the Golden Book only in Hungarian:  Erzsebet Kiralyne (Elisabeth [Hungarian] Queen).

At one o’clock the Empress returns to the hotel.  In front of the mirror, she removes her hat and her white gloves, rings for a lackey and asks him for some cold milk.  Countess Sztaray eats a rapid luncheon and looks at the time on her little watch suspended at her neck by a gold chain.  It is twenty-five minutes past one.  She rises and knocks at the door to Elisabeth’s salon, for it is time to leave.  In front of the balcony, Sissi is savouring her milk in a silver goblet which belongs to her.  The lady-in-waiting addresses her in Hungarian:

“Your Majesty, it is nearly half-past one, the steamer leaves in a few minutes, we shall have to hurry.”

The Empress replies in Hungarian:

“I have never seen Mont Blanc so clearly.”

Elisabeth, usually in such a hurry, is unable to tear herself from the vision of the majestuous Alps.  By precaution, the lady-in-waiting sends the lackey to the boat, to ask that it’s departure be retarded if necessary.  Sissi says:

“Poor Irma, the responsibility that you have today seems to weigh heavily upon you…”

“Your Majesty!  Please, imagine that we miss the steamer!  We would be completely alone in Geneva!  It is unthinkable!”

In fact, several members of the Empress’ suite have already left Geneva, with the luggage, by the midday train to Territet.

Laughingly, Elisabeth gives the goblet to the lady-in-waiting, who washes it rapidly and puts it away in a bag.  In front of the mirror, the Empress puts her black hat and her white gloves back on, and collects her sunshade and fan.  She leaves the apartment fairly slowly.

On Quai Mont-Blanc, the two women start to hurry.  The boat’s bell is already ringing as they pass in front of the monument to the Duke of Brunswick.  Elisabeth admires the chestnut trees.  The quay is almost deserted.  The Empress says:

“You see, we are in time, the people are boarding slowly and are not in a hurry.”

A young man is rapidly coming towards them.  The two women step aside to let him pass, for he looks as if he is in a hurry.  Suddenly, as he passes the Empress, the stranger appears to trip, raises his right fist and hits Elisabeth, who is under her sunshade.  The Empress sinks to the ground, without a word.  Her head strikes the quay.  The lady-in-waiting screams, as the stranger runs away.  A coachman helps the Countess raise Sissi.  The Empress, red with emotion, arranges her hair which has come undone, and which had cushioned her head when it struck the quay.  The coachman calls the Concierge of the Beau-Rivage Hotel.  The lady-in-waiting, while brushing the Empress’ gown, asks her, convinced that the man had wanted to punch her:

“Is Your Majesty hurting anywhere?”

“No…  No.  Thank you.  It is nothing.”

The Concierge insists that she return to the hotel.

“”No, no, nothing has happened.”

They arrive at the boat, whose bell is still ringing.  Elisabeth asks in Hungarian:

“I wonder what that man wanted from me…  Perhaps to steal my watch?”

Her red face becomes worryingly pale.  The Countess holds Sissi, fearing that she will faint.

“Am I very pale?”

“Yes, Your Majesty, very pale.  Is Your Majesty in pain?”

“My chest is hurting very much.”

The Concierge comes running back.  He cries out:

“The aggressor has been arrested!”

To be continued.

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